Solo Exhibitions
- 2018 - Weld: Heaven and Earth, Weld Pubic Library, Weld, Maine
- 2017 – Wilderness Edge, Upfront Gallery, Farmington, Maine
- 2013 – Missing Stories, Atlantic Works Gallery, East Boston, Massachusetts
- 2012 – Feral, Galatea Fine Arts, Boston, Massachusetts
- 2012 – Peace Songs II, Gallery at Spencer Lofts, Chelsea, Massachusetts
- 2011 – True Love: The Leap of Hanuman, Atlantic Works Gallery, East Boston, Massachusetts
- 2011 – The Leap, Kismet Wellness Center, Andover, Massachusetts
- 2010 – Peace Songs, Galatea Fine Arts, Boston, Massachusetts
- 1998 – Tyranny and Thoughtcrime, Gallery INSEKT, Boston, Massachusetts
Selected Exhibitions
- (2018) 2018 Third Coast National Biennial, K Space Contemporary , Corpus Christi, TX. Juror: Suzanne Weaver, Curator of Modern and Contemporary Art at the San Antonio Museum of ART
- (2018) National Oil and Acrylic Painters Society (NOAPS) 28th Best of America National Exhibition, Eisele Gallery of Fine Art, Cincinnati, OH. Award Judge: Adam Clague
- (2018) 7th Annual PleinAir Salon Art Competition Dec/Jan, Plein Air Magazine
- (2018) 2018 Small Works Juried Show, Gallery North, Edmonds, WA
- (2018) Anima>Animus>Animal, Art Scene Today
- (2012) Billboard Art Project, curated by Claire Accardo, Albany, NY and Atlanta, GA
- (2012) Animals Art Exhibition, Light Space & Time Gallery, Special Recognition Award
- (2012) With a Little Help from our Friends, Atlantic Works Gallery, East Boston, MA
- (2012) Petroleum Paradox, Narrows Center for the Arts, Fall River, MA
- (2012) Windsor-Whitney Biennial
- (2012) Rough Trade, Atlantic Works Gallery, East Boston, MA
- (2011) With a Little Help from our Friends, Atlantic Works Gallery, East Boston, MA
- (2011) Chain Letter Exhibition, SamsønProjects, Boston, MA
- (2010–2012) Galatea Fine Art, Boston, Massachusetts
- (2010) East Boston Artists, Scollay Square Gallery, City Hall, Boston, MA
- (2010) Mammals, ApollinaireGallery, Chelsea, MA
- (2009) Art Gone Green, Bunker Hill Community College Art Gallery, Boston, MA
- (2009) Boston Biennial, Atlantic Works Gallery, East Boston, MA
- (2009) Blush, Salem Arts Association Gallery, Salem, MA
- (2008) ConnecticutWomen Artists 19th Annual Open Juried Competition, John Slade Ely House, New Haven, CT
- (2008) CT+ 5, West Hartford Art League, West Hartford, CT
- (2000) ABCNo Rio, New York, NY
- (1997) Out of the Blue Gallery, Cambridge, MA
- (1997) Galleryof Social and Political Art, Cambridge, MA
- (1989) New Art: Paintings from New York, Texas, California, Laguna Gloria Art Museum, Austin, TX
- (1988–1989) Harris Gallery, Houston, TX
- (1989) Renderings, Arte Moderno Gallery, San Antonio, TX
- (1988) Interpretations, 110Broadway Gallery, San Antonio, TX
- (1988) Charles Field, John Alberts and Shelah Horvitz, Blue Collar Gallery, San Antonio, TX
- (1988) Five Texas Woman Artists, Galleria, University of Texas at San Antonio
- (1987) Texas Annual, Laguna Gloria Art Museum, Austin, TX
- (1987) S.P.A.R. National Art Exhibition, Barnwell Art Center, Shreveport, LA
- (1987) Woman Artists of Three States, DallasCity Hall, Dallas, TX
- (1987) Dead Days, BlueStar Art Space, San Antonio, TX
- (1985) Ladies of Shalott: A Victorian Masterpiece and its Contexts, Bell Gallery, Brown University,Providence, RI
- (1985) 35 Under 35, Women’sInterart Center, New York, NY
- (1984) Survey of Drawings, Pompeii Gallery,New York, NY
Gallery Representation
- 2017–present Saatchi Online
- 2010–2013 Atlantic Works Gallery, East Boston, Massachusetts
- 2010–2012 Galatea Fine Art, Boston, Massachusetts
- 1988–1989 Harris Gallery, Houston, Texas
- 1989 Arte Moderno Gallery, San Antonio, Texas
- 1988 Blue Collar Gallery, San Antonio, Texas
Selected Media and Academic Coverage
- Franklin Journal, “Weld artist exhibits ‘Wilderness Edge’ in Farmington”, Friday, August 11, 2017
- Massachusetts Wildlife Magazine, O. Grinde, "From the Mouths of Caves", 2012: 3:4-10
- Bouguereau Remastered, Soldaat, Romke. “Bouguereau and The Gospel According to T. Rex”
- Artscope: New England’s Culture Magazine, Goslow, Brian. “Capsule Previews: November/December 2011”. Volume 6, Number 5, p. 52
- Boston Globe Editor’s Pick, “Shelah Horvitz: Peace Song”
- Art New England, “Exhibitions: Openings and events around the region”
- (2007) B. Aitchison, Lecture on Lady of Shalott to the Muscular Dystrophy Society by the former Academic Advisor to the American Institute for Foreign Study in London (Moffat, Scotland)
- (2007) E. Bonessio, “Con te sempre” from Poesie in forma di rosa (Rome, Italy)
- (2007) B. Laursen. Intranet course on art and literature relevant to Tennyson at the boarding school, Herlufsholm Skole, in Herlufsholdm, Denmark
- (2006) A Bibliography of Modern Arthuriana (1500-2000). A. F. Howey, S. R. Reimer, Boydell & Brewer, p. 654
- Feminista Ezine. Cover, March 2000
- Reviewof the Lilith Adler exhibition at the online Lilith Gallery
- M. Matsuoka, “The Victorian Web” (Nagoya University, Japan)
- E. Goodman, Literature and Gender. New York, New York: Routledge, 1996.
- Marie Claire Japon Magazine, “Arthurian Legends in Art”, 3 Mars 1993,No. 124
- (1993) Thames Television, BBC, “Ladies of Shalott” on The English Program
- San Antonio Light, “This Teacher Joins with his Students in Some Ironic, Spontaneous Works”, May 1, 1988, p.114
- Art in America Magazine. J. Gambrell, “Texas: State of theArt”, 75:114-52, 1987
- Austin American-Statesman. “Texas Annual”, November 16, 1987, p. C6
- Asao Densetsu Mangekyo. (Tokyo: Chuokoron-sha, Inc., 1995)
- The Journal of Pre-Raphaelite Studies. J.T. Harris, “I Have Never Seen a Naked Lady of Shalott”, Fall 1984, p. 76
Education
- Brown University, B.A. English Literature, 1982
- University of Texas at San Antonio, M.F.A. Painting, 1989
- University of Massachusetts/Dartmouth, B.S. Computer Science, 1995